The Kiva Gallery

     
                   The complete mural as seen in the kiva gallery              
 

            
                   The complete mural

           
                 Michael Kabotie

"When we made the emergency into this world, there was life already here.  We were not the first ones to come to this world.  The plants were already here; the insects, the butterflies (povoolngyum, as we call them in Hopi), the snakes, the reptiles, the animals, the birds, the eagles -- were here.  The clouds were here; the lightnings were here; the stars were here.  All of these are life forms for us."                                                                                                            
                                                                                                                                   Michael Kabotie  
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The photographs below show the five major components of the mural (moving from left to right):  Emergence, Pueblo Rebellion, Middle Place, Rational Side, and Hope.
  

The Emergence

        
                                                                                                                                              

The emergence of humanity is the stating point of Hopi mythology and the Kiva is the point where people first emerge from darkness to light. The circle motif represents what the Hopi call the sipapu; the womb or the place of emergence. When we emerged from underworld, the shadow side emerged with us. The figures in gray represent the unhealed side of humanity, which must be purified in order to find the middle place.
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Pueblo Rebellion

         

The early Spanish church of San Bernardo, built on top of the sacred Kiva at Awatovi, serves as the backdrop to the Pueblo Rebellion of 1680. People of the pueblos, from as far west as modern-day Taos, New Mexico, to the eastern most Pueblos of the Hopi, rose up in arms against forced conversions and forced labor imposed by the Spanish. Again, gray faces represent the shadow side in this violent conflict.
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A Middle Place

         

The central mural represents the rebirth of Hopi consciousness. Depicted in close proximity are images of three women, the Katsina and Buddha. All of who, in the mind of the artist, are seeking a common ground or pursuing a middle place of harmony. This is the essence of the emergence myth.
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 The Rational Side 

         

Modern technology, industry and the desire for wealth have, at times, adversely impacted traditional Hopi ways. The results are scaring of sacred lands, and the emergence of an array of social, economic, political and health related challenges, which have taken a serious toll on the people of the Pueblos.  
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Hope

     

The final segment of the mural represents the re-education of the brother and sister twins of Hopi Mythology. Below is the serpent symbolizing knowledge, while above, the computer motif and www. symbol signifies communication and adaptation in rapidly changing world. Central in this image is the apple representing both technology and a common mythology of knowledge and power.

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