For several years, MNA researchers and associates
have been studying the mural and pottery paintings
of Hopi and other Pueblos, with an eye toward
developing a traveling exhibit. The project, formerly
known as the Southwest Mural Project,was put on
hold in 2003 while the MNA board reviewed the
project’s progress and worked to obtain a
memorandum of understanding with the Hopi Tribe.
Last year, the Rockefeller Foundation granted MNA
the opportunity to reconfigure these projects and
under the guidance of Dr. Kelley Hays-Gilpin, they
have been moving ahead at a rapid pace.
MNA and the Hopi Tribe signed the MOU in March of
2005 which, in part, allowed the project to move
forward. At the suggestion of the director of the Hopi
Cultural Preservation Office, Leigh Kuwanwisiwma,
the redesigned project was named the Hopi Iconography Project, with a clearly defined
purpose to develop an exhibit, publications, and educational resources in consultation with
Hopi elders, artists, linguists, and other tribal advisors.
The final name of the actual exhibit will soon be determined. The new exhibit will open in
MNA's own galleries by 2008 and possibly travel to other venues.
The exhibit will explain key aspects of the Hopi World to Euroamerican and Native American
visitors. Topics may include farming, ecology, history, cosmology, and the relationship of
traditional arts and crafts to Hopi identity and individual lives. It will also help visitors
understand why certain aspects of landscape are sacred to the Hopi by explaining how
the Hopi world is organized and what the Hopi people value.
Dr. Kelley Hays-Gilpin, an associate professor of anthropology at NAU, was hired at the
request of the Hopi Tribe to serve as guest curator. She is an expert in prehistoric Puebloan
pottery and specializes in cross-media comparison, including murals, textiles, basketry, and
rock art. She is joined by Stewart Koyiyumptewa, an archivist and specialist in oral history at
the Hopi Cultural Preservation Office, Dr. Lea S. McChesney, a socio-cultural anthropologist
specializing in Hopi material culture, and Gloria Lomahaftewa, a new MNA staff member who
will consult on all phases of the exhibit and ultimately serve as co-curator in the later phases.
In consultation with the Hopi Cultural Preservation Office, 15 men and women from most of
the 12 Hopi villages and a variety of different clans have been selected to serve as a Hopi
advisory team.
Work continues with some of the original academic team of researchers, including: Emory
Sekaquaptewa (Hopi linguist), Dorothy Washburn (archaeologist), Steven LeBlanc
(archaeologist and collections director, Harvard Peabody Museum), Michael Kabotie (Hopi
artist), Delbridge Honanie (Hopi artist), Karl Taube (archaeologist, iconographer, UC
Riverside), Polly Schaasfma (rock art specialist), Elizabeth Newsome (art historian, UC San
Diego), Larry Loendorf (archaeologist and rock art specialist, New Mexico State University),
and Eric Polingyouma (Hopi cultural historian), and Carolyn O'Bagy Davis (independent scholar).
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